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Jesus of Nazareth [1977]

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Jesus of Nazareth (1977– )

TV Mini-Series  -   -  Biography | Drama | History
A reverent depiction of the life of Christ using the Gospel accounts.

Stars:

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Jesus of Nazareth (Italian: Gesù di Nazareth) is a 1977 British-Italian television miniseries co-written (with Anthony Burgess and Suso Cecchi d'Amico) and directed by Franco Zeffirelli which dramatizes the birth, life, ministry, crucifixion, and resurrection of Jesus largely according the Christian Bible's New Testament Gospels. It stars Robert Powell as Jesus. The miniseries features an all star cast of famous American and European actors, including seven Oscar winners (Plummer, Bancroft, Steiger, Olivier, Borgnine, Ustinov and Quinn).
Extra-biblical traditions were used in the writing of the screenplay and some characters (such as Zerah) and situations were invented for the film for brevity or dramatic purposes. Notably, Jesus of Nazareth depicts Judas Iscariot as a well-intentioned man initially, but later as a dupe of Zerah who betrays Jesus largely as a result of Zerah's false platitudes and pretexts. However, in accordance with the Gospels, the film depicts Nicodemus and Joseph of Arimathea as sympathetic members of the Sanhedrin. Many of the miracles of Jesus, such as the changing of water into wine at the wedding at Cana, the transfiguration, and the calming of the storm are not depicted, although Jesus healing the blind man and the crippled woman on Sabbath, the feeding of the multitude, and the raising of Lazarus from the dead are.
Jesus of Nazareth premiered on the Italian channel Rai 1 on March 27, 1977 and was first aired in the United Kingdom and the United States on the ITV and NBC networks on April 3, 1977. It is generally well-praised, but not without controversy. Bob Jones III of Bob Jones University, who had not seen the film, immediately denounced it as blasphemous due in part to Zeffirelli's stated intent to portray Jesus as equally human and divine; "...an ordinary man—gentle, fragile, simple".[1]

Plot summary

The storyline of Jesus of Nazareth is a kind of cinematic Diatessaron, or “Gospel harmony”, blending the narratives of all four New Testament accounts. It takes a fairly naturalistic approach, de-emphasizing special effects when miracles are depicted and presenting Jesus as more or less evenly divine and human. The familiar Christian episodes are presented chronologically: the betrothal, and later marriage, of Mary and Joseph; the Annunciation; the Visitation; the circumcision of John the Baptist; the Nativity of Jesus; the visit of the Magi; the circumcision of Jesus; the Census of Quirinius; the flight into Egypt and Slaughter of the Innocents; the Finding in the Temple; the Baptism of Jesus; the woman caught in adultery; Jesus helping Peter catch the fish; the Parable of the Prodigal Son (Luke 15: 11-32); a dialogue between Jesus and Barabbas (non-biblical); Matthew's dinner party; the Sermon on the Mount; debating with Joseph of Arimathea; the curing of the blind man at the pool; the Raising of Lazarus (John 11:43); the Feeding of the Five Thousand; the Entry into Jerusalem; Jesus and the money changers; the Last Supper; the betrayal of Jesus by Judas; Peter denying Christ and repenting of it; the judgment of Jesus by Pilate ("Ecce Homo"); the Johannine Passion Narrative (John 18-19; including the Agony in the Garden); the Carrying of the Cross; the Crucifixion of Christ (Laurence Olivier's Nicodemus recites the “Suffering Servant” passage [Isaiah' 53:3-5] as he looks helplessly on the crucified Messiah); the discovery of the empty tomb; and an appearance of the Risen Christ to his Disciples. The film’s storyline concludes with the non-Biblical character Zerah and his colleagues gazing despairingly into the empty tomb. Zerah's laments: “Now it begins. It all begins”
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